embroidery the rose she left unfinished midday
Minal Sarosh
Update (January 2, 2025)
New email for submissions:
journalcoldmoon(at)gmail(dot)com
New editor:
Timothy Daly
~~~~
You are invited to submit a single email containing 5 - 10 poems (in the spirit of haiku/senryu/tanka) per calendar month, although occasionally we will publish sequences. No themes. Poems must be your original work (not AI!) and in English. Previously
unpublished work is preferred, but poems appearing on social media are
acceptable.
No e-mail attachments will be opened. Please send to: journalcoldmoon(at)gmail(dot)com.
Poems received in a given month will be considered for publication in Cold Moon Journal the following month. (In other words, if you send your poems in March, they will be competing for April space.) Is your writing style traditional? Fine. Gendai or experimental? Also welcome, although we can’t accommodate much in the way of special formatting.
We are happy to consider your artwork, particularly black-and-white photographs.
There is no money in this, but all rights revert back to the poet upon publication.
We strive to respond quickly (within two weeks, usually faster). Both acceptance and rejection notices are sent. New haiku/senryu/tanka (or sequences or artwork) are added to Cold Moon Journal several times a week. You can view the most popular poems (scroll down to bottom right of the journal for the list).
You will never see anything here that suggests racism, violence or prejudice.
This journal nominates for various annual haiku and poetry awards.
the pine shadow
sweeps onto the window
every night
as the moon rises
our
cat stares
David He
on the one hand
I couldn't live
forever wondering
what's on
the other hand
Keith Evetts
We
congratulate frequent contributor Tiffany Shaw-Diaz, recognized as a
top-eight volunteer (of more than 6,000) for the NASA citizen
science project, Active Asteroids. Way to go, Tiffany!
sweeping river willows for a moment nothing matters
Orrin PréJean
from Dewdrop World, Cuttlefish Books, 2021
swaying in dawn's blush an ancient dialect
Tiffany
Shaw-Diaz
Tiffany Shaw-Diaz is a Pushcart Prize and Dwarf Stars Award nominee who also works as a professional visual artist. She was shortlisted for The Haiku Foundation’s Touchstone Award for Individual Poem in 2020 and won in 2021. Her poetry has been featured in Modern Haiku, The Heron’s Nest, Bones, NHK World Haiku Masters, The Mainichi, and more than 100 other publications. Her chapbooks include: says the rose (Yavanika Press 2019), filth (Proletaria 2020), and tyranny of the familiar (Yavanika Press 2020).
Forbidden Planet
my little daughter
wants to go there
Keith
Evetts
A former biologist and retired British diplomat, Keith Evetts has published papers in Nature and other scientific periodicals, and long-form poetry in The Oxford Magazine and elsewhere. His haiku and related forms have appeared in Wales Haiku Journal, Frogpond, Blithe Spirit, Prune Juice, Asahi Shimbun, Cold Moon Journal, Failed Haiku, Heliosparrow, Mamba, Fireflies’ Light, Haiku In Action, Cattails, World Haiku Review, Presence, Poetry Pea, Sonic Boom, MacQueens Quinterly, and at The Haiku Foundation; and award-winning cherita and gembun in The Cherita books and the Gembun anthologies. Listed in the top 100 European haikuists, he hosts the haiku commentary feature re:Virals at The Haiku Foundation. Married, with five children, a grey parrot and a sense of humour.